Syke 'N' Sugarstarr (DE)

The result have been smashing club-hits such as “Ticket 2 Ride”, “Are You Watching Me” or “Danz”. And even more releases on labels like Ministry Of Sound, Positiva, Universal, Subliminal, Southern Fried, etc. Their recent singles “U Got Me Rockin’”, “I Believe”, “Like That Sound”, “So Alive” and “My Belief” have been collected several #1 positions in many international Dance-Charts. Especially “No Satisfaction” mutated to a monster of an smashing anthem. Syke’n’Sugarstarr have been the first ever DJ-Artists who got the official permission from the Rolling Stones’ label to lay hands on this masterpiece of the music history. One of the biggest coups out of their studios is a stunning team-up with the legendary CeCe Rogers, to re-present “No Love Lost” all over again. This tune has become a worldwide hymn getting on heavy rotation on the radio and in the clubs. Not to forget their productions under the moniker SE:SA with the releases “Like This Like That” (Positiva Rec., UK) or “In my Life” (Big clubhit in UK & Australia). As well as productions Syke’n’Sugarstarr did for other artists. The biggest so far: “So Many Times” (Gadjo ft. Alexandra Prince) or the Disco Boys’ “For You”, which recently reached Platin-Status and cemented the guys’ reputation as premier producers. The most appealing aspect of Syke'n'Sugarstarr is just how fresh they sound, both in their productions and the DJ'ing, which, as anyone who has seen DJ SUGARSTARR on the decks will know, is as diverse and experimental as their studio work. While SESA’s finishing off the latest productions in the studio, SUGARSTARR has been touring massively for the last ten years. He do club-gigs and festivals all over the globe. From Sao Paulo to Sydney. From Bogota to Moscow. From Miami back to Europe. The music he’s playing out can easily be described as Funky-Electronic-Techhouse-With-Vocals-And-Soul, focussing to rock the audience with a pumping set that ends up in a never ending party. And that is exactly what the world needs right now.
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