Hannah Bosma ()
Hannah Bosma is a musicologist specialized in voice, gender, electroacoustic and contemporary music and preservation. Her pioneering research on gender and electroacoustic music is published in international academic journals and books and in her doctoral dissertation The Electronic Cry: Voice, gender and electroacoustic music (UvA, 2013). She currently works as a postdoc researcher at the University of Amsterdam for her NWO funded Veni research project Preservation as performance: Liveness, loss and viability in electroacoustic music (2019-2023). Other projects include MA-courses on Archiving Art (UvA since 2019) and on gender, voice and music technology (Kunstuniversität Graz 2017-2019), and the conference The Art of Voice Synthesis (UvA, 2016).