Ummet Ozcan (NL)

Artist
In an age where very few Artists break the mold and truly shine through as unique and innovative, Dutch/Turkish star Ummet Ozcan raises the bar. From his 2011 #1 hit “Reboot,” which spent 7 weeks at #1 on Beatport, to a more recent genre-defying #1 smash hit “The Box” – one of the most played records at EDC Las Vegas 2012 – Ummet continues to surge in popularity worldwide. As a DJ he is in high demand and is playing the international field and high ranked clubs and festivals like Godskitchen, Pacha, Tomorrowland, Sunburn India, Global Gathering, Sunrise Festival, Avalon, Ruby Skye, Ministry of Sound and so on. Continuously garnering huge support from a broad array of the world’s top jocks like Armin van Buuren, Tiësto, David Guetta, Avicii, and Sander van Doorn, Ummet Ozcan is firming his position at the forefront of the next generation of brilliant EDM Producers. With an unprecedented amount of artists seeking the formula for club-friendly absolution, Revealed Recordings proudly premiered their first secret weapon of the New Year - W&W and Ummet Ozcan’s “The Code”. It entered at #1 in the DMC buzz chart. “The Code” has been one of the tracks with the biggest buzz around for months. At the end of 2013 Ummet continues his rise with “Revolution” (Spinnin’ Records), he co-produced with R3hab and NERVO which also hit the #1 ranking in Beatport Top 100 and his remix of Fat Boy Slim’s “Eet Sleep Rave Repeat” in collaboration with Tomorrowland’s resident artists Dimitri Vegas & Like Mike. Ummet is also known for his softsynth and soundbank design for well established music software houses like Rob Papen (Albino, Predator) and Acces Music (Virus). At this moment he is developing a new synthesizer (Genesis Pro) along with new spectacular unheard of sounds that will definitely pave the way for a fresh new musical breeze thru EDM. Also he is working on a few new big anthems to be released on the infamous Spinnin Records label that will undoubtedly bring a lot ear pleasure and tons of Ozcan followers.
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